Thursday, December 27, 2012

Summer Intensives: Pros, Cons and Audition Tips

It's the time of year when many dancers' attention turns to summer intensives, which usually begin holding auditions in January. Summer intensives provide an excellent opportunity for serious ballet students.  Many people believe that if an intensive is linked with a professional company or university that it must be good. This is not always the case.

There are a lot of wonderful programs out there. Some others are not quite as beneficial. Here is a list of pros and cons of summer intensives along with a few tips about choosing a school and a partial list of schools.

Pros of Intensives:

For many dancers, the summer is a time when their own school may be closed, and a serious ballet dancer's body cannot afford to take the summer off from dancing, so an intensive is a great opportunity to experience a professional environment, check out a university program they may be interested in or study with some of the best in the art. I would encourage dancers to experience an intensive the summer between their freshman and sophomore years of high school. It can be a defining moment for them in their lives.

An intensive away from their usual school takes them out of their "safe zone" and helps them see the real ballet world. It gives them diverseness in their training and most importantly it gives them a chance to see what dancing for your livelihood is really about. For some dancers, they return home and realize that a professional life in dance is not the right choice for them and begin to look at other possibilities while still taking classes for the enjoyment of it but for others it reinforces their desire even more and builds their confidence that dance truly is their life.

Since most of the "major" programs (meaning schools connected to companies like ABT, Houston, SF, PNB, etc.) are geared for the upper Intermediate and Advanced Level students, it is best to be at this level in order to obtain the benefits of the program. Younger and/or less advanced students might be better off at home in their own school, with classes which are best suited to their abilities, and teachers who know what they need at the time. Different methods and styles are fine for the more advanced student, but others need to have consistency in their training until the placement, strength and knowledge are sufficient to deal with the differences they will encounter in other programs.

Students can benefit greatly from Summer Intensive programs. Going away from home for a few weeks is fun and educational, a good part of growing up! Working with different teachers and in several forms of dance which might not be a part of the regular school-year programs are major benefits. Also meeting lots of other dancers from around the country is great fun! Many of the programs also have a performance at the end of the course, which makes them even more fun!

It is also important for dancers who are nearing graduation to attend programs where they might have an opportunity for work with the company in the future. For instance, if a particular school shows a lot of interest in you, perhaps gives you partial or full scholarship for a couple of summers, that would be encouraging in terms of your potential for that company. Some of these schools/companies like to see the students for 2 or 3 summers, and then place them in their top level class for a year or two before moving them into the company. So, aligning yourself with a summer program connected to a company becomes more important when you are around 16 and 17.

Most of the camp-type programs are best for the younger student. The training is less intensive, but there are lots of other things to do. There are some camps who have well-known, highly qualified teachers, and some which are basically just camps who happen to also offer dance. If you are a serious dance student, with a career in mind, I would suggest that you discuss the places you are interested in with your teacher. Summer is such an important time for learning and growth in dance, and you don't want to lose training by going somewhere that offers less dance or less quality training than you receive at home.

For dancers wanting to major in dance in college, I also recommend they attend their top choice of school summer intensive the summer between their junior and senior years. This is great because it allows the faculty a chance to get to know them before they are auditioning for their program as well as gives the dancer a chance to try on the university.

Not all university programs have affiliated intensives; most do, but in the case the school the dancer is interested in does not, then a pre professional program like The Joffrey or San Francisco Ballet is a great choice. A pre professional program will help the dancer reach their peek right before the college auditioning season and is an excellent reference on their college application.

Cons of Intensives

I think it is important for everyone to remember that the first and foremost reason a university or professional company hosts an intensive is to raise money. In the university's case, they may offer classes to their dance majors in the summer but it is also a great recruitment program for future students. For the professional companies it brings in much needed dollars to a profession that needs it badly. I think that sponsoring an intensive to make money is fine, and I have no issue with it.

What I do have an issue with are the ones who tout guest teachers who may have taught one class in the past but will not be present in the current year, although the publicity materials make it appear as though they will be. Or the professional company that appears to be hosting the intensive but is only linked because it is being held in their facilities and their staff is not involved in the actual teaching of the classes or choreography. I knew a student that attended an intensive where this was the case. It was linked to the company, but no one from the company was present. It was a horrible experience for her and she came home after four weeks weaker and far more discouraged than before she left.

Cost - If you can't afford it, don't give up without a try for financial aid and/or a scholarship. If the school is really interesting in having you in their program, they will try to help you as much as they can. Some have more money available for this than others, but it is always worth a try. If you can't go, then stay in your home school's program and spend the summer working intensively, as you can accomplish as much in one good summer course as you can in several months during a school-year!

Teachers, dancers and parents absolutely must research, ask questions and read between the lines before accepting any position with an intensive. There are as many bad programs out there as there are good ones, and all involved should always look closely before making any decisions, after all, it's the dancers' bodies, their training and their money that is at stake.

When chosen carefully, the decision to attend a summer intensive may be a very rewarding, satisfying way to build both dancing skills and self-confidence. As with anything else, just be informed and aware of what you want and whether an intensive meets those needs.

Preparing for an Audition

Plan ahead - Most summer programs don’t start until June or July. However, they usually require applications and auditions to be completed as soon as January. If the intensive of your choice requires a video audition, allow yourself time to prepare it.

If you want to save on money and choose something close to home, search by location and narrow it down to an easily commutable distance. If you’re interested in a certain method taught, narrow it down by checking boxes that correspond with what you want to learn. The key is to figure out which traits are the most important to you, and find a program accordingly.

Be Open to New Challenges

You may only want to look at certain styles of ballet in your home area, but it wouldn’t hurt to include a couple wildcards in your summer intensive list. Choose a couple programs that you think you would like, regardless if you think you could get in or their location. Auditioning for summer programs of all kinds is a great experience. Even if you don’t get in, merely taking the audition class can help your technique.

Know the Cost

Give yourself ample time to save money for tuition and travel expenses. If you have a dream program that seems out of your reach financially, inquire about payment plans or potential scholarships. Many programs offer discount tuition for older students who double as resident advisors (RAs) for the dormitories. Some might offer talent or need-based scholarships.

Talk to Your Teacher

Even if you have an idea of where you want to go for summer, ask your year-round teacher for advice. You may get some suggestions on summer programs that you’ve never heard of, as well as audition tips. Your teacher can help you prepare a great audition tape (if you need one).

Know the Requirements

If you can't get to an audition, call the school and see if they will accept a video audition. Be sure to inquire what they would like to see on the video, as some want barre work, and others prefer a bit of center, some pointe, and maybe a variation.

What Judges Look for in an Audition

Generally, judges will be looking at the following:
  • Quality training commensurate with age
  • Good basic placement and core strength
  • Coordination
  • Musicality
  • Proper use of plie
  • Good lines
  • Strong and articulated feet
  • Quality port de bras
  • Extension appropriate for age
  • Strength on pointe, if appropriate
  • Ability to understand corrections
  • Ability to apply corrections
  • Ability to pick-up choreography quickly
  • Style and artistic expression
  • Great mental attitude
  • Passion for and enjoyment of dancing
 The first ten items on this list are all related to technique.  For dancers up to the age of about 14, judges are giving quite a bit of consideration to the dancer’s potential. If you are lacking in technique due to inadequate instruction for example, you can show through your ability to pick up corrections and choreography that you are very teachable and therefore perhaps an excellent candidate. As you get a bit older, judges will be looking for a more finished product. By the age of 17 or 18, you will want to present yourself as a dancer who has most of her technique and movement quality at a professional level. They will want someone at that age to be working mostly on artistry with perhaps some technical fine-tuning remaining to be done.

Some Notable Intensives, both in the US and World

School of American Ballet

Pacific Northwest Ballet School

Joffrey Academy of Dance

San Fransisco Ballet School

Miami City Ballet School

Boston Ballet School

Bolshoi Ballet Academy

Kirov Academy

Royal Ballet School

Paris Opera Ballet

1 comment:

  1. Kibbutz Contemporary Dance Company in northern Israel offers an incredible two week summer intensive for high school/college aged dance students. Offering four technique classes daily in ballet, modern/contemporary, KCDC repertoire as well as conditioning and other dance styles, the intensive is taught by professional KCDC faculty and company dancers. Participants live in the International Dance Village located on beautiful Kibbutz Ga'aton, enjoy evening activities and an organized trip around northern Israel. DATES FOR SUMMER 2014 PROGRAM SESSION 1 | July 6, 2014 to July 17, 2014 (highly recommended for International students) SESSION 2 | July 20, 2014 to July 31, 2014 SESSION 3 | August 3, 2014 to August 14, 2014


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